Let your advertisement's message set the musical direction

Generate instrumental advertising music around your audience, visual pace and voiceover. Choose a soundtrack direction, then fit the recording to your final edit.

Brand stories, offers and promotional videosSpace for narration and the final call to action

Occasion

What is this song for?

Advertising Music

Choose a musical direction for the message, visual progression and final invitation in your advertisement.

Music settings

Mood

How should it feel?

Music style

Choose its musical direction.

Recommended directionMain instrumentAutomaticTempoModerate

Music brief (optional)

Describe where the music will play, the mood, and any instruments or rhythm you prefer. Up to 1,500 characters; your music selections alone are also enough.

0/1500

Use only details and materials you created or are authorized to use. Review the result before publishing or monetizing it.

Instrumental music for a clear message

Let your advertisement's message set the musical direction

Generate instrumental advertising music around your audience, visual pace and voiceover. Choose a soundtrack direction, then fit the recording to your final edit.

Brand stories, offers and promotional videosSpace for narration and the final call to action

What do you want viewers to notice in this ad?Describe the audience, the message, the visual sequence and where speech needs space.

What should viewers see, hear and do next?

An advertisement usually has a direction: it catches attention, explains what is on offer and tells viewers how to book, find out more or take part. Music can help those parts feel connected, but it should not become a second message competing with the words. Start with the idea the audience needs to understand and the pace at which the pictures reveal it, rather than choosing an energetic track in isolation.

MuseHey generates instrumental music from a description and musical choices. Explain the advertisement's purpose, who will see it and the role of narration or real sound. Then audition the resulting track against your edit. This scene is for background music, not a sung brand slogan; use the Brand Jingle scene when the name and message need to be part of the lyrics.

Write the message before choosing the intensity

Hands shaping clay on a spinning pottery wheel — Begin with the activity the advertisement wants people to notice.

Summarize the advertisement in one sentence. Is it introducing a service, inviting someone to an event or explaining a specific offer? Include the audience and what they already know. A returning customer may need a straightforward reminder, while someone unfamiliar with the service needs time to understand the context. Those differences affect how much musical activity the opening can support.

Read the main sentence while watching the opening shots. A gentle invitation to a workshop needs enough time for viewers to see the activity and imagine joining it. An event announcement may move faster because the audience already knows the setting. Choose the energy from that relationship between words and pictures. An insistent beat can make even an ordinary reminder feel urgent, whether or not that is what the message needs.

Clay, conversation and a class invitation

This is a fictional writing example, not a recording or a customer story.

Instrumental music for a fictional pottery studio's weekend workshop advertisement. The video moves from hands shaping clay to a small group at the table, then an invitation to view the class schedule. Light electronic rhythm with warm, soft textures, friendly and purposeful rather than urgent. Leave the narrator and natural pottery sounds clear. No vocals, dramatic drops or time-specific accents; the end card will be timed in editing.

In the fictional pottery advertisement, hands shaping clay introduce the activity before the viewer sees the group around the table. A steady rhythm can accompany the close-up work, then become a little livelier when the group starts talking. Keeping the melody simple leaves the invitation to join the class easy to hear. The texture should still suit the close-up shots, not just the more sociable ending.

For your own video, decide which image makes the offer understandable. It might be a finished object, a person using a service or a view of the event space. Let the soundtrack support the time needed to take that in. If a sentence contains booking details, simplify the musical passage beneath it. Viewers should not need a second listen to understand how to take the next step.

Distinguish an advertisement from a demonstration

A product demonstration follows how something works: a hinge opens, a tool cuts or an interface changes. An advertisement may use those images but organize them around an audience need and an invitation. Describe that difference in the brief. If the entire video is a practical explanation with little promotional framing, the Product Video scene may already be the more direct starting point.

Avoid forcing every advertisement into a large rise and reveal. A quiet invitation, a short reminder and an energetic event announcement need different shapes. State the transitions that matter and where the music should stay even. The arrangement can suggest contrast, but precise changes under individual shots will still be chosen and adjusted after the track is generated.

Choose instruments that suit the brand

A collection of handmade terracotta pots and bowls — For the pottery workshop, soft electronic sounds can accompany close-ups without masking the sounds of making.

Acoustic instruments may support a personal or handmade setting, while restrained electronics can suit a clear graphic presentation. These are possibilities rather than rules about industries. Describe the qualities you want the audience to hear: direct, playful, calm, bright or measured. If you have existing brand guidance, translate it into useful musical choices instead of listing abstract adjectives that conflict with one another.

Do not ask for a recognizable campaign's tune or a particular artist's identity. An original direction should relate to your own message. When reviewing alternatives, keep the voiceover and picture edit constant so the musical differences are audible. You may discover that a simpler arrangement carries the information better than a more impressive track heard on its own.

Protect the voice and the sounds that explain the scene

Hands working a lump of clay on a wooden surface — Leave room for the real sounds that make an activity tangible.

Listen to the narration before adding music. Mark the brand name, offer, qualifications and final invitation as places where every word needs to remain clear. Ask for limited lead melody and restrained changes when the script is dense. Useful recorded sounds, such as clay being shaped or a door opening, may also deserve space because they make the scene tangible.

Balance those elements in an editor after generation. The music does not automatically duck beneath the narrator or provide separate instrument stems. If an important sentence disappears under a melodic phrase, lower that passage or choose a different excerpt. Check the result at ordinary playback levels rather than assuming that a loud export will make unclear words easier to understand.

Give the end card time to be understood

A final card can contain a name, an invitation and required information. Let its reading time influence the musical ending, rather than cutting it away as soon as a beat lands. Choose a complete phrase or use a considered fade. An abrupt stop may work for a particular concept, but it should be a deliberate editing decision rather than the result of trimming to a slot without listening.

A short cut may work best with one complete phrase rather than a compressed version of the longer track. Try the same music against the vertical and wide edits, because titles and reading time can change with the format. Choose cue points and fades after hearing the recording; generation does not guarantee frame-accurate accents or a broadcast-length file. Keep the edit with the source audio so later changes remain manageable.

Check the complete advertisement before publishing

A photographer using a camera beside a pink wall — Review the pictures and message together with the finished soundtrack.

Watch the exported video without looking at the editing timeline. Is the offer clear, and is there enough time to read the final invitation? Listen at an ordinary playback level to check the narration, then try the video on a phone. Music that leaves the voice clear on headphones may compete with it on a small speaker. If words become hard to follow, try a simpler passage before adding volume or effects.

For an advertisement, approval includes the copy and pictures as well as the soundtrack. Confirm permission for supplied material and review the service terms and requirements of the intended channel. Generation does not guarantee exclusivity or clearance for every campaign. Save the approved version with the offer it belongs to, especially when dates or prices may change.